{"id":2622,"date":"2025-06-27T10:00:00","date_gmt":"2025-06-27T17:00:00","guid":{"rendered":"https:\/\/cinemagear.com\/blog\/?p=2622"},"modified":"2025-06-26T15:46:46","modified_gmt":"2025-06-26T22:46:46","slug":"a-pair-of-kinoptik-apochromat-lenses","status":"publish","type":"post","link":"https:\/\/cinemagear.com\/blog\/2025\/06\/27\/a-pair-of-kinoptik-apochromat-lenses\/","title":{"rendered":"A Pair of Kinoptik Apochromat Lenses"},"content":{"rendered":"\n<p>We are excited to offer these excellent <a href=\"https:\/\/ln.run\/q3KbE\" target=\"_blank\" rel=\"noreferrer noopener\">Kinoptik Apochromat<\/a> 75mm and 50mm f2 lenses, both in Eclair CM3 mount. Here at CinemaGear, we love to share a little bit of history along with the filmmaking equipment we offer, but much of the <a href=\"https:\/\/retrofocale.com\/kinoptik-apochromat-histoire\/\" target=\"_blank\" rel=\"noreferrer noopener\">history of Kinoptik<\/a> remains an enigma to us. Kinoptik was a boutique French lens manufacturer, founded in Paris in 1932 by Georges Grosset and Georges Perthuis. The two Georges had previously worked at Optis, another French lens maker that, interestingly, had also employed Pierre Angenieux. <\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/archive.org\/details\/lacinmatographie1001pari\/page\/n109\/mode\/2up?view=theater\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1024\" data-id=\"2619\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-750x1024.jpg\" alt=\"Article from the French journal &quot;La Cinematographie Francaise&quot; from January 28, 1938 that discusses the Kinoptik Apochromat lenses\" class=\"wp-image-2619\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-750x1024.jpg 750w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-220x300.jpg 220w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-768x1048.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-1126x1536.jpg 1126w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title-1501x2048.jpg 1501w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.1-title.jpg 1541w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/archive.org\/details\/lacinmatographie1001pari\/page\/n111\/mode\/2up?view=theater\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1024\" data-id=\"2620\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-759x1024.jpg\" alt=\"Article from the French journal &quot;La Cinematographie Francaise&quot; from January 28, 1938 that discusses the Kinoptik Apochromat lenses\" class=\"wp-image-2620\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-759x1024.jpg 759w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-222x300.jpg 222w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-768x1037.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-1138x1536.jpg 1138w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title-1517x2048.jpg 1517w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/La-Cinematographie-Francaise-Jan.-28-1938-p.2-title.jpg 1552w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p>Everything was done in-house at Kinoptik, from the design, to the manufacture, to the final inspection of each lens. The Apochromat series of lenses was designed by Grosset and introduced in 1939 in 25mm, 28mm, 35mm, 40mm, 50mm, 75mm and 100mm focal lengths. The Apochromat lenses are of the double Gauss type and are world famous for producing sharp, saturated images with good contrast and accurate color reproduction. They remained available in the Kinoptik sales catalog well into the 1990s. <\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1024\" data-id=\"2615\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-800x1024.jpg\" alt=\"page from a 1975 Kinoptik catalog with diagrams of the 9mm Apochromat lens\" class=\"wp-image-2615\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-800x1024.jpg 800w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-234x300.jpg 234w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-768x983.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-1199x1536.jpg 1199w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-1599x2048.jpg 1599w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-1-scaled.jpg 1999w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"1024\" data-id=\"2616\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-804x1024.jpg\" alt=\"page from a 1975 Kinoptik catalog with a diagram of the Kinoptik 9.8mm Tegea lens\" class=\"wp-image-2616\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-804x1024.jpg 804w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-235x300.jpg 235w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-768x979.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-1205x1536.jpg 1205w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-1607x2048.jpg 1607w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-2-scaled.jpg 2009w\" sizes=\"auto, (max-width: 804px) 100vw, 804px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>When the second World War came to France, Kinoptik lost their first workshop to a bombing, but were able to relocate to a new location in Paris not long after. During the German occupation, the company was forced to produce viewfinders for the Askania cameras for the German military. After the war, Kinoptik returned to making the high quality lenses they were best known for. In the post-war period, the Apochromat lenses were a popular choice for the French New Wave movement, and were frequently used with an Eclair CM3 \/ Camerette camera. <\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"2613\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad-1024x1024.jpg\" alt=\"Three images of a Kinoptik 50mm f2 lens in Eclair CM3 mount\" class=\"wp-image-2613\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad-1024x1024.jpg 1024w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad-300x300.jpg 300w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad-150x150.jpg 150w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad-768x768.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-50mm-l10805-ad.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"2614\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad-1024x1024.jpg\" alt=\"Four images of a Kinoptik 75mm f2 lens in Eclair CM3 mount\" class=\"wp-image-2614\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad-1024x1024.jpg 1024w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad-300x300.jpg 300w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad-150x150.jpg 150w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad-768x768.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-75mm-l10805-ad.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Following Georges Grosset\u2019s death, his wife hired French optician Edgar Hugues to take over her late husband\u2019s design work for the company. In the mid-1960s Hugues designed the unique, groundbreaking Kinoptik Tegea 9.8mm f1.8 wide angle, rectilinear lens, famous for its non-distorted wide angle view. The Tegea lens saw use by Stanley Kubrick in the 1970s and 80s on such films as \u201cA Clockwork Orange\u201d and \u201cThe Shining\u201d, and in the 1990s by cinematographer Christopher Doyle in his collaborations with director Wong Kar Wai, on films such as \u201cChungking Express\u201d and \u201cFallen Angels\u201d. In 1981, Roger Grosset, the son of Georges Grosset, sold Kinoptik to Soci\u00e9t\u00e9 fran\u00e7aise d&#8217;Instruments et de mesure. After a series of mergers and acquisitions, Kinoptik went into receivership and eventually ceased operations in 2018. The legacy of Kinoptik lives on in the high quality lenses they created during their more than 80 years serving the film industry.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"1024\" src=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-780x1024.jpg\" alt=\"Page from a Kinoptik catalog with a list of their available lenses\" class=\"wp-image-2617\" srcset=\"https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-780x1024.jpg 780w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-229x300.jpg 229w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-768x1008.jpg 768w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-1170x1536.jpg 1170w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-1561x2048.jpg 1561w, https:\/\/cinemagear.com\/blog\/wp-content\/uploads\/2025\/06\/kinoptik-catalog-3-scaled.jpg 1951w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>We are excited to offer these excellent Kinoptik Apochromat 75mm and 50mm f2 lenses, both in Eclair CM3 mount. Here at CinemaGear, we love to share a little bit of history along with the filmmaking equipment we offer, but much of the history of Kinoptik remains an enigma to us. Kinoptik was a boutique French [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2614,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[33,12,49],"class_list":["post-2622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lenses","tag-35mm","tag-eclair","tag-kinoptik"],"_links":{"self":[{"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/posts\/2622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/comments?post=2622"}],"version-history":[{"count":2,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/posts\/2622\/revisions"}],"predecessor-version":[{"id":2624,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/posts\/2622\/revisions\/2624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/media\/2614"}],"wp:attachment":[{"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/media?parent=2622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/categories?post=2622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemagear.com\/blog\/wp-json\/wp\/v2\/tags?post=2622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}