{"id":439,"date":"2020-09-25T10:10:00","date_gmt":"2020-09-25T17:10:00","guid":{"rendered":"https:\/\/cinemagear.com\/blog\/?p=439"},"modified":"2021-10-05T10:29:34","modified_gmt":"2021-10-05T17:29:34","slug":"acme-model-6-rackover-camera","status":"publish","type":"post","link":"https:\/\/cinemagear.com\/blog\/2020\/09\/25\/acme-model-6-rackover-camera\/","title":{"rendered":"Acme Model 6 Rackover camera"},"content":{"rendered":"\n

Acme\u2019s Model 6 camera was the mainstay in optical printing, animation, and matte painting composite photography work for decades. The Acme Tool and Manufacturing Company began as a contract machine shop in the late 1920\u2019s and entered the motion picture camera manufacturing business in 1930 when they were approached by Walt Disney to modify a Bell & Howell 2709 for animation work. They began making their own cameras shortly after this, beginning with the Acme Model 5 and evolving to the Model 6 and beyond. Acme cameras were ideally suited for visual effects work because of their updated, steady unit \u201cI\u201d shuttle movement, improved viewfinder, and ease of access to essential camera controls. This particular camera is unique in that it features a rackover viewfinding system and a 4-hole lens turret, features that were not common on Model 6 cameras. A unique accessory available from Acme was their stop motion motor. The motor was adjustable in \u00bc second, \u00bd second, 1 second, 2 second, and 4 second exposure times, ideal for animation, matte painting, and optical printing. We are not sure who the original owner of this camera was, but at some point in its life, it belonged to Cinema Research Corporation, a major optical and visual effects house in Hollywood from 1953 until 2000. We acquired this camera from the studio of Rocco Gioffre, a masterful matte painting artist, model maker, and filmmaker.<\/p>\n\n\n\n