{"id":852,"date":"2021-09-30T15:40:00","date_gmt":"2021-09-30T22:40:00","guid":{"rendered":"https:\/\/cinemagear.com\/blog\/?p=852"},"modified":"2021-10-28T15:34:39","modified_gmt":"2021-10-28T22:34:39","slug":"servicing-the-fox-camera-movement-2","status":"publish","type":"post","link":"https:\/\/cinemagear.com\/blog\/2021\/09\/30\/servicing-the-fox-camera-movement-2\/","title":{"rendered":"Servicing the Fox Camera Movement"},"content":{"rendered":"\n

As I am still working on the movement from the Fox Camera, I thought I would answer the questions I have received regarding oiling the movement. While in use, the movement would obviously be in the camera, but it is far easier to show the oil points with the movement out of the camera. If you take a look at the attached pictures, you will see the major points the camera assistant would have to service while in the field.<\/p>\n\n\n\n

\"Twentieth<\/figure><\/div>\n\n\n\n

Note the oil pads on the registration pins, similar to the early Mitchell Standard and NCs. Also of note on this movement, most of the oil points feed oil into closed areas, so as the movement reaches high speed, there is very little chance of oil being flung onto the film.<\/p>\n\n\n\n