The Arriflex 35 II B was the third major iteration of the revolutionary Arriflex 35 handheld spinning mirror reflex camera, and was introduced in 1960. The II B features a new transport claw design and a fixed 180-degree shutter. Custom converted for 2-perf pull-down and PL lens mount, this Arriflex II B comes with one reversible 400' magazine and an upgraded variable speed motor with controller cable (requires 24V DC). The motor now features a unique 3/8-16 industry standard threaded mounting hole at the base for easy tripod mounting without the need for a special high hat or adapter. The ground glass is pencil marked for the correct Techniscope format. The mirrored shutter has not been re-coated, but is in good used condition. The camera has been converted to a PL lens mount. The Techniscope format is ideal for small to medium budget feature films that want the wide screen look, as the 2-perf format uses half as much raw film stock.
ARRI was founded by August Arnold and Robert Richter in Munich, Germany in 1917. Friends from school, Arnold and Richter already had some experience in the motion picture business, having worked as cameramen and lab technicians. They began their business by building a film copying machine using parts out of an old film projector they purchased secondhand. While sales of their machine were going well, both men continued their work in many aspects of the movie business, including as cinematographers, producers, and lighting technicians. In 1918, they worked on their first film with director Fred Stranz, a western called "Der Schwarze Jack" (or Black Jack).
By 1920 they were producing their own short films, and using the profits to improve their printers. In 1924, Arnold began designing their first motion picture camera, the KINARRI 35, as well as their first lighting equipment. This camera was completed by 1925 and Arnold sent it to Richter in the United States where he had gone to learn about the American film business. Their second camera, the TROPEN, which featured an adjustable rotary shutter, was produced during this time as well. In 1928, the KINARRI 16 was developed for an amateur filmmaking audience, along with a 2nd more advanced model that featured an internal spring wind mechanism. In 1934, with sound films now dominating the market, ARRI developed a portable sound camera, but patent issues prevented it from being sold commercially. Success came soon after though.
In 1937, the ARRIFLEX 35 was released, a revolutionary handheld spinning mirror reflex 35mm motion picture camera that featured a spinning mirrored shutter and a parallax-free erect image viewfinder. This design, which saw many innovations and updates after its introduction, was produced until 1978. The Arriflex 35 is a World War II vintage camera, and saw use by the German military during the war. Some early examples of the ARRI 35 were captured by American troops and brought back to the US. In 1946, ARRI introduced the next generation of this camera, the Arriflex 35 II. So influential was the Arriflex 35 series of cameras, that it was awarded an Academy Award of Merit in 1983 for "the concept and engineering of the first operational 35mm, hand-held, spinning mirror reflex, motion picture camera."
The Arriflex 35 II B model was released in 1960, and featured a new transport claw design and a fixed 180-degree shutter. In 1964, the Arriflex 35 II C model was introduced, bringing with it an improved viewfinder system with larger viewfinder optics, interchangeable ground glasses, an interchangeable eyepiece, and a variable shutter. The Arriflex 35 II C was manufactured through 1979.