Taken directly from the widescreen wars of the 1950’s and 60’s, is this amazing, production used, three panel Cinerama Slate that comes straight from the set of the western epic drama “How the West Was Won” (1962). “How the West Was Won”, produced by MGM, was directed by John Ford, Henry Hathaway, and George Marshall […]
Screen Used Slate from”How the West Was Won” Read More »
It was a rare privilege to explore and repair this 20th Century-Fox Cine Simplex 35mm production camera. The engineering of this camera is extraordinary and it is disappointing that it never became as ubiquitous as the Mitchell BNC. The level of thought that went into all aspects of the design and function of this camera
An Extraordinary Camera In Need of a New Home Read More »
Wishing you a Happy Thanksgiving from all of us at Cinema Engineering and CinemaGear. We will see you again on Monday, November 27th. Have a lovely holiday!
Happy Thanksgiving! Read More »
I thought the work on the 400’ magazines for the VistaVision Butterfly camera was going to be routine, but lengthy. The weather though decided to interfere with my plans this week by giving us some rare LA rain. Wrinkle paint does NOT like moist air, and while painting magazine number 3 started off well, it
An Interlude with an Amazing Maurer Camera Read More »
I had less time than I was hoping to work on the VistaVision butterfly camera this week as the Dykstraflex once again commanded my attention. I am part of a team that is preparing the Dykstraflex to be moved for display at an upcoming event in the new year. My week also saw me servicing
VistaVision and a Very Hectic Week Read More »
A number of years ago, I acquired this Mitchell VistaVision Butterfly camera with the intention of using it to shoot plates for visual effects sequences. When it arrived, all but one of the magazines were frozen closed and every bit of equipment had case foam adhered to it. I was able to use the one
Introducing the VistaVision Butterfly Camera Read More »
I am delighted to share with you all today this fascinating, ca. 1921 Wilart Camera restored by my good friend Michael Madden. Our quick research indicates that this camera was manufactured by the Wilart Instrument Co., Inc. of New Rochelle, New York as their all-metal professional cinema camera. Contemporary advertising from “Motion Picture News” in
A Restored Treasure: The Extraordinary Wilart Camera Read More »
Those of you who have been following me for a while now know how much I love and admire Mitchell cameras. A few weeks ago, I was lucky enough to have Mitchell Standard no. 27 left in my care for some basic maintenance and tlc. This very early Mitchell camera was bought by MGM some
Restoring Mitchell Standard no. 27 Read More »
Much of this week was taken up with doing the final inspection of several cameras so they are ready to go to their new homes, and I didn’t have time to document this process in all the chaos. While taking a breather from that, I pulled out this group of fascinating old light bulbs that
Light Bulbs of Yore Read More »
I love 16mm cameras. I learned how to be a cinematographer with Bolex, Arriflex, and Beaulieu 16mm cameras, but my current business isn’t focused on this format. While I have not done a full service and restoration of either of these cameras, I have scrubbed and cleaned the outside of them, made sure everything was
An ARRI 16SR and 16M Read More »
