Last month I received two Arri 2B cameras that were converted to 2-perf pull-down Techniscope by my friend Daniil Nevskiy. Sadly, the shutter in one of the cameras was damaged in shipping and needed to be replaced. I was able to source a shutter that was in fair condition as a replacement, so I thought …
On Mitchell Standards and some early GCs, you could order an option that had a series of gear boxes that would do automatic fade-in/fade-out over a selected number of frames. Mitchell 46 at one time had this option, but the kind folks who tried to reflex it ripped out most of it and disposed of …
Recently, I was contacted by my friend and fellow vintage camera enthusiast Michael Geiger, who had recently acquired Mitchell Standard #125. This camera, like Mitchell 46, had been abused in its previous life. Mitchell 125 was hacked into an animation camera, and whoever did the conversion, removed and discarded most of the original shutter control …
The heart of all motion picture film cameras, like Mitchell Standard 46, is the movement (or film transport). When I hand-cranked this camera for the first time, I noticed a bump or hard spot as I was cranking the camera. As I reinstalled the shutter assembly, I made sure that it was free-wheeling and turned …
With many of the significant hurdles overcome, it was finally time to rough assemble Mitchell 46, put a hand crank on it, and hope that all my work would pay off. Mitchell Standard and GC cameras rely on three gears to control the overall camera timing. These gears keep the film that is being fed …
Hand-Cranked for the First Time in Decades: Mitchell 46 Read More »
After winning last week’s struggle with the rear bearing race, I could actually move on to properly aligning the shutter in the camera casting. I hope you will all forgive the tedious details of this process, but it seemed important to me to outline the many steps it took to achieve this. Several things had …
The Long and Winding Road to a Balanced Shutter in Mitchell 46 Read More »
First off, I want to thank everyone for all of the wonderful suggestions they made. All of them were quite good and helpful. Before I had read your suggestions however, I went at this problem with a thread file, honing stones, and lapping compound. After several hours of work, I was able to get the …
Why is it that the jobs that are supposed to be the simplest always turn out to be the most complicated? Thinking that the most labor-intensive part of the restoration of Mitchell 46 was behind me now, I was supposed to be at the point where I reassemble the working components of the camera, set …
I thought everyone might appreciate a short video of Mitchell Standard #46 racking over for the first time in decades. This 6 seconds of video represents 5 months of hard work that has finally paid off.
True to my word, I struggled through the myriad of steps needed to get Mitchell 46 back onto its rackover L-base this week. On its surface, this sounds like a simple process, but without the various fixtures that the Mitchell factory had to complete this, the process becomes complicated. Mechanically, the rackover L-base is a …
