When I first got this camera and ran it, everything seemed good, and I had previously used the camera on a Steadicam for a feature film I shot, and all seemed good then as well. Then I had to go spoil everything by trying to check the flange focal depth. This is where it all […]
Still Not Quite Ready for Prime Time – ARRI 35 BL 2 Read More »
From the infancy of the motion picture industry through the first world war, Pathé Freres, established in Paris, France in 1896 by brothers Charles, Émile, Théophile, and Jacques, was the largest producer of films and filmmaking equipment in the world. The brothers got their start in the phonograph business, and later expanded into the emerging
The Pathe Professional: The Process of Restoring an Iconic Camera Read More »
I know I said it was going to be a couple of weeks before I reported back on the problem with this Fries VistaVision camera, and at the time, it seemed it was going to take a lot more detective work. It turns out that the problems were simpler than I feared. The first problem
Revisiting the Fries VistaVision Camera Read More »
Recently, my friend and long-time client Ben Ziryab asked if I could diagnose a rough spot in the drive of this Fries Engineering-built VistaVision camera. This camera is based on a Mitchell VistaVision movement that has been installed in a custom Fries camera body with custom electronics. When this camera arrived, it had a profound
Happy Star Wars Day, everyone! May the 4th be with you! Thanks for joining me for part two of this walk down memory lane as I show you a little bit more of what went into the restoration of the Dykstraflex motion control camera system. For the uninitiated among you, this was the groundbreaking motion
The Dykstraflex: Restoring the Motion Control System That Changed The World – Part 2 Read More »
Please join me as I take a walk down memory lane and show you a little bit of what went into the restoration of the Dykstraflex motion control camera system. For the uninitiated among you, this was the groundbreaking motion control camera system that brought to life the most exciting special visual effects that first
The Dykstraflex: Restoring the Motion Control System That Changed The World – Part 1 Read More »
I only regret how long it has taken me to get this camera and tripod cleaned up and restored, for they are both excellent examples of fine early motion picture equipment. The Pathé camera has a long history of being copied by other makers, like the Lubin camera and the Wilart, because of its wonderful
I have an amazing archive of old, unrestored tripods from many different eras that have been sitting, waiting their turn to be joined with the right camera. When the clean-up of the Pathé Professional camera was complete, this tripod seemed like a match made in movie heaven. I rescued this Motion Picture Apparatus Co. tripod
A Classic Tripod for a Classic Pathé Professional Camera Read More »
A client asked me to inspect 2 more Fries 15-perf pull-across 3×65 IMAX-format movements. At first, this looked like it would be a simple project as I rebuilt a similar movement to these recently. However, no simple repair is ever as simple as it seems, and during my initial examination of the first of these
It has been a long and rainy week here in Los Angeles, but I did finally get a chance to run film through the Pathé Professional camera! This journey began with me questioning myself about how I was going to put film in these magazines. A few of the cameras I have worked on that
I Finally Got a Chance to Run Film Through the Pathé Read More »
