Happy Thanksgiving!
In observance of the holiday, we will be taking a few days off to be with family. See you on Monday, December 2nd, and to all who celebrate, a happy Thanksgiving!
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Readying an Auricon CM-72A for its new home
A few days ago I got a call from someone interested in buying one of the Auricon CM-72A cameras I have listed on cinemagear.com. In my excitement to get it ready for its new home, I forgot that all of the vintage power cords I had were included with the other Auricons I sold recently.
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Recreating the Illusive ARRI 16 ST Power Cable
A few weeks back I showed two of the several Arriflex 16 ST cameras currently in stock that I have restored. The only problem with this is that I don’t have any of the stock ARRI power cables that are proprietary to this camera. I called all the usual suspects, and they all said the
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Moviecam SuperAmerica – Back to Life
This Moviecam SuperAmerica was part of Bruce Taylor’s inventory and came to me for some tlc and to find it a new home. Mechanically, this camera is in fine condition, but it had a couple of minor electronics problems when it arrived. The run switch on the back of the camera was not working, the
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Out of Town … And A Visit with the Mitchell FC
I am out of town for a couple of days this week at my daughter’s wedding, but I didn’t want to leave you all without a post. While I am away, I thought we might revisit the fascinating Mitchell FC 70mm Fox Grandeur camera. We recently passed the 94th anniversary of the release of the
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A First Look at an Amazing Pathe Cinematographe Hand Crank Camera
Last week, this gorgeous Pathé Cinematographe came into the shop to be cleaned and serviced before being offered for sale to some lucky person. I have only had time to do a quick walk around to take a closer look at the incredible engineering and amazing forethought that this camera represents. This Pathé is housed
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A Preview of the “Color in Motion” Exhibit at the Academy Museum of Motion Pictures
On Saturday, October 5th, my family and I had the privilege of attending a preview of the new “Color in Motion: Chromatic Explorations of Cinema” exhibit at the Academy Museum of Motion Pictures. I was pleased to find a fairly comprehensive exploration of the history and evolution of color in motion pictures. The exhibit opens
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Resurrecting a Bunch of 16mm Cameras: ARRI, Bolex, Krasnogorsk
I have a bunch of 16mm cameras that came into my inventory along with other things and have been lounging, neglected, for quite some time. As 16mm is having a little bit of a resurgence, it seemed reasonable to try to find homes for these beginner friendly cameras. The star of this week’s labors are
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Lens Mounts for All Occasions: The Versatile Fries 35R3
I acquired this Fries 35R3 camera as part of a retired cinematographer’s kit and held onto it for a while to play with it as it just had so many lens mounts! Now that my curiosity is satisfied, I began to go through the camera to make it ready for sale. The interesting thing I
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ARRI SR: Back and Better Than Ever!
Late last year, I acquired a hoard of 16mm cameras, and this ARRI SR was a part of that group. At the time, I sold the camera, unrestored, to a friend. Now it has come back to me as part of a trade, having been fully serviced, the belts replaced, and the rear footage indicator
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