New arrivals! After many twists and turns with Fedex, we finally took delivery of equipment from the collection of Gunnar Blanke, a filmmaker from the Denver, CO area. Lots of neat stuff in this collection, including a Mitchell NC that was purchased by Lookout Mountain in 1959, two Mitchell GCs, an Akeley Gyro Head, a […]
An Estate Purchase Out of Colorado Read More »
Last week we showed you the 2-perf Arriflex II C, and thought this week it would be fun to show you the II B. Both of these cameras were skillfully converted to the 2-perf Techniscope format by my friend Daniil Nevskij. The Arri II B has all of the same features are the II C,
Arriflex II B Techniscope Camera Read More »
Just in are an Arriflex IIB and IIC Techniscope camera. Shown here is the Arri IIC. For those who don’t know, Techniscope is a 2-Perf pull-down 35mm film format developed by Technicolor and introduced in the 1960s. This format is ideal for the budget-conscious filmmaker who wants to shoot widescreen without using anamorphic lenses. It
Arriflex II Techniscope Cameras Read More »
One of our next pieces up for service is this Auricon Super 1200 camera, a favorite for news-gathering, documentary, and industrial films beginning in the 1950s. Auricon cameras were designed and built by the Berndt-Maurer Corporation (later Bach-Auricon), founded in 1935 by Eric M. Berndt and John A. Maurer. Previously, Berndt and Maurer had both
Auricon Super 1200 Camera Read More »
Today I wanted to share a very interesting restoration project I completed shortly before we moved. This is a Technicolor camera, serial #7, and is from the 2-strip era of the Technicolor process. Briefly, the 2-strip process shoots 2 simultaneous images, 1 above the other, on a single strip of black and white film, through
Restoring Technicolor no. 7 Read More »
Among the crate of tripods we acquired last month, we were delighted to discover this original Eclair Camerette aluminum tripod and friction head. This was exciting because we could finally pair one of the Camerettes from our collection with its intended tripod. The Eclair Camerette and this unique tripod were introduced to the US market
Eclair CM3 camera on Eclair tripod Read More »
We had so many interesting comments on last week’s trip down memory lane, I thought I would show another interesting solution to a problem we ran into while shooting space ships. Budget always being a problem, I had to devise a way to get close enough to the miniatures to give the illusion of the
Mitchell Underslung Magazine Adapter Read More »
A trip down memory lane . . . The movie industry always calls for unique solutions to unique problems. Many of us without the budget to build a Dykstraflex needed a device that would allow our cameras to be focused by computer control and hold the camera at nodal point. To solve this problem, I
Mitchell Follow Focus L-base Read More »
I have seen and used a number of Mitchell chronograph cameras over the years without really knowing much about them. A few months back I shared an interesting camera I had recently acquired that featured a shutter mounted on the main shaft of the camera movement. Not knowing exactly what this was used for, Erin
Mitchell Type A and Type B Chronograph Cameras Read More »
Believe it or not, there are still things to be unpacked a year after being settled into our new facility. I have been going through box after box of rare and unusual lenses over the last few weeks, cleaning and repairing them as I go. To my amazement, I came across this Astro-Gesellschaft Berlin 150mm
Astro Berlin Lens for Mitchell FC camera Read More »
