Arriflex 35 II C spinning mirror reflex 35mm camera with a custom Nikon hard front conversion and a flatbase with a variable speed motor. The camera comes complete with a 400’ magazine. This camera has been fully cleaned and serviced and is ready to shoot your next project. In 1964, the Arriflex 35 II C […]
ARRI 2C with Nikon Hard Front Conversion Read More »
Happy Halloween! To celebrate, we return to the ghost of a project that I never had a chance to finish. Back in the beginning of 2022 I began work on restoring Mitchell Standard #46, one of the oldest Mitchell cameras I have had the “pleasure” to work on. I say this with a grain of
Back to it – Mitchell Standard 46 Read More »
Arriflex 35 II B spinning mirror reflex 35mm camera with standard three position turret featuring ARRI standard lens mounts and sitting on a Birns & Sawyer flatbase with a variable speed motor. The camera comes complete with a matte box and a non-reversible 400’ magazine. So influential was the Arriflex 35 series of cameras, that
A fascinating new Mitchell camera came into my shop last week. It’s in absolutely horrendous condition, but I have saved cameras in worse shape. This camera is a Mitchell Standard with the silenced gear on the movement and a phenolic bull gear. The camera turned out to be #356, and some quick research told us
A Fascinating New Mitchell Camera – Mitchell Standard #356 Read More »
All of the parts for the first six ARRI S/ST power cables have been printed, and the copper electrical ferrules and cable assemblies have been made. I only had time to assemble and test one of them, but here you can see it connected to an ARRI ST and powering the camera. Success! This was
Assembling and Testing the Replacement Power Cable for the ARRI S/ST Read More »
Anyone who has owned an ARRI S camera of any variety knows that the factory power cable has a long, but limited lifespan, and once it’s no longer usable, it quickly becomes unobtainable. I recently acquired 3 ARRI S cameras, and of course, none of them had power cables. As it was high time for
The Elusive ARRI S Power Cable Read More »
The Mitchell KF8 is a 35mm aircraft reconnaissance camera built for the United States Navy in the 1950s. The camera body is based on the design of the Mitchell GC/Standard but adapted to capture high speed reconnaissance motion pictures from the nose cone of an aircraft. The viewfinder and L-base were omitted from the design,
Mitchell KF-8 Aircraft Reconnaissance Camera Read More »
These two ARRI 16 S cameras come from the collection of five-time Emmy Award winning photojournalist, author, and owner of video rental firm Videosmith, Steven Trent Smith. These early ARRI 16 Ss, variously nicknamed the “flat door ARRI”, feature the older style viewfinder optics and door castings. You can see in later examples of the
Two ARRI 16S Cameras – Now Available! Read More »
A future project, fresh from the warehouse! This Mitchell BNCR has been waiting patiently for its turn to be cleaned, lubricated, and restored. Recently it has been moved into our showroom and we hope to start work on it in the coming months. It is a wonderful example of a spinning mirror reflexed Mitchell BNCR
An Upcoming Restoration Project: Mitchell BNCR 306 Read More »
Two interesting items from the fantastic collection of filmmaker Steven Smith are these really well cared for, early, so-called “flat door” ARRI 16 S cameras. While I can’t date these cameras yet, I believe them to be earlier models of the ARRI S series based on their older style viewfinder optics and door castings. You
A Pair of ARRI 16 S Cameras Read More »
