This Moviecam SuperAmerica was part of Bruce Taylor’s inventory and came to me for some tlc and to find it a new home. Mechanically, this camera is in fine condition, but it had a couple of minor electronics problems when it arrived. The run switch on the back of the camera was not working, the […]
Moviecam SuperAmerica – Back to Life Read More »
Last week, this gorgeous Pathé Cinematographe came into the shop to be cleaned and serviced before being offered for sale to some lucky person. I have only had time to do a quick walk around to take a closer look at the incredible engineering and amazing forethought that this camera represents. This Pathé is housed
A First Look at an Amazing Pathe Cinematographe Hand Crank Camera Read More »
I acquired this Fries 35R3 camera as part of a retired cinematographer’s kit and held onto it for a while to play with it as it just had so many lens mounts! Now that my curiosity is satisfied, I began to go through the camera to make it ready for sale. The interesting thing I
Lens Mounts for All Occasions: The Versatile Fries 35R3 Read More »
Alongside time spent with the Dykstraflex team evaluating the condition of the crane after its move out of the museum, I devoted some time this week to servicing and repairing as many of the ARRI 2B and 2C cameras I have in stock as I had time for. Among this group of 5, two cameras
Catching Up On Some ARRI 35 2B and 2C Camera Read More »
I have been holding onto this Arriflex 35 BL 4S camera until I could really dig into the inner workings and make sure everything is in good working order. This is one of the two BL 4S cameras I used to shoot features for Lucky Brown at his MovieTech Studios. When I purchased the remaining
Arriflex 35 BL 4S – Back in Action Read More »
I am taking a couple of days off this week, but before I do, I wanted to go through the accessories that come with the ARRI BL 4S camera I began repairing last week. The first thing I looked at was the follow focus unit, which would not … follow focus? What I discovered was
Repairing the ARRI BL 4S Follow Focus Read More »
As I suspected, and you can see clearly in the attached pictures, the camera and shutter drive belts on this ARRI BL 4S had shredded and desperately needed to be replaced. Replacing the belts in these BL cameras is a monumentally difficult task. The BL 4S is one of my very favorite cameras, but it
ARRI BL 4S – Finally on the Bench Read More »
I am still hard at work on the ShowScan CP65 cameras, and if you aren’t too bored with that, I will show you more details next week. In the meantime, this wonderful collection of lenses, including an amazing trio of Kowa Cine Prominars, found its way to my shop this week. The collection also includes
Another Hoard of Lenses for Your Entertainment Read More »
Newly arrived are some very interesting modern anamorphic lenses, most with PL mounts. We have two cine anamorphic lenses manufactured by Vazen with a 1.8x anamorphic squeeze: a 40mm T2 featuring an E mount and a 65mm T2 featuring a PL mount (a PL to E mt adapter is also included). According to factory specs,
Cine Anamorphic Lenses Read More »
While doing a final test run of the ARRI 35 BL2, I discovered that the feed side clutch on one of the 1000’ magazines was jammed. Fortunately, I had replacement clutch pads in my collection of parts, so the magazine had to come apart, the surfaces of the clutch mechanism had to be thoroughly cleaned,
Investigating a set of Super Baltars, and Repairing an ARRI 35 BL2 magazine Read More »
