A few days ago, a new client called and asked if I had any ARRI Medical cameras in stock. As it happened, I had one left. During the course of our conversation, the client mentioned that he had seen a YouTube video in which someone had converted a medical ARRI into a film scanner. He […]
A New Life for an Old Workhorse Read More »
Last month I received two Arri 2B cameras that were converted to 2-perf pull-down Techniscope by my friend Daniil Nevskiy. Sadly, the shutter in one of the cameras was damaged in shipping and needed to be replaced. I was able to source a shutter that was in fair condition as a replacement, so I thought
Arri 2B Shutter Replacement Read More »
I was talking to a cinematographer friend of mine who reminded me that, quite a number of years ago, I modified his RED Prime 18mm lens so it would work on his PL mounted MovieCam without crashing into the mirror. It seemed fitting to pass on what I did and do the same modification on
Correcting the 18mm RED Prime PL Mount Read More »
New this week: a pair of freshly converted Arriflex 2B 2-perf Techniscope cameras with PL mounts. As I was finishing up work on Mitchell Standard #125 and servicing several sets of lenses, my friend Daniil Nevskiy sent back two of my Arri 2Bs that he converted for 2-perf pull-down and PL lens mounts. I haven’t
New this week: a not so vintage ARRIFLEX 435 Xtreme. This is an amazing piece of machinery that I had not put my hands on before this one came into the shop. The 435 Xtreme is the big brother of the 435, the 435 ES, and the 435 Advanced, combining and expanding upon the features
New This Week: ARRIFLEX 435 Xtreme Read More »
I took some time this week to catch up on a number of smaller projects while I carefully considered what my next step will be on Mitchell #46. Beginning with Mitchell #46 though, I spent a great deal of time considering how to set the camera up so I can begin machining the replacement bottom
A Week of Many Projects Read More »
A Pana ARRI 35 II C joins our offerings! While we were in the middle of moving from our previous location to our present one, we were offered a collection of cameras and accessories that we never had much of a chance to sort through. This diamond in the rough came to the surface a
A Pana ARRI 35 II C! Read More »
As I go through inventory, bringing things back to life one by one, I rediscovered this amazing Arriflex II C that is part of the Denny Clairmont legacy. This camera is out of Denny’s first foray into cinema equipment rentals, and shows Denny’s dedication to improving everything he made available to his clients. As I
Arriflex 35 2C from Clairmont Camera Read More »
Last week we showed you the 2-perf Arriflex II C, and thought this week it would be fun to show you the II B. Both of these cameras were skillfully converted to the 2-perf Techniscope format by my friend Daniil Nevskij. The Arri II B has all of the same features are the II C,
Arriflex II B Techniscope Camera Read More »
Just in are an Arriflex IIB and IIC Techniscope camera. Shown here is the Arri IIC. For those who don’t know, Techniscope is a 2-Perf pull-down 35mm film format developed by Technicolor and introduced in the 1960s. This format is ideal for the budget-conscious filmmaker who wants to shoot widescreen without using anamorphic lenses. It
Arriflex II Techniscope Cameras Read More »
