New website coming soon! This redesign has been in the works for quite a while now and we are hoping to launch the new mobile friendly version of https://www.cinemagear.com/ site before the end of the year. This project was put on hold when we had to move locations, build a new facility, move many truckloads […]
New Website Preview Read More »
From the sets of DeMille’s “The Ten Commandments” and Hitchcock’s “Vertigo”, we are delighted to present this complete Mitchell Vista Vision camera package. This “Elephant Ear” VistaVision camera, MVV-6, was masterfully restored by my friend Mark Mervis, who collected, restored, and documented this camera and all of these accessories to create this historical camera package.
Mitchell VistaVision Camera MVV6 Read More »
One of the finest examples of Panavision’s legendary engineering, the PSR was introduced ca. 1967 and met with immediate success across the movie making world. Based on the Mitchell NC and BNC cameras, the Panavision PSR was smaller, lighter, quieter, and easier to use than the Mitchell BNC or BNCR. Under the guidance of Robert
Panavision SPSR Super R200 sn. 160 Read More »
While I had the movement out of a Mitchell GC, I thought I would demonstrate the lubrication points on the movement for those who have never worked with one of these cameras. 1. Movement removed from camera 2. Working from top to bottom, 1st is the cam that operates the registration pins. A drop of
Lubricating a Mitchell GC Camera Movement Read More »
As we were going over the 3 Blanke cameras we showed last week, we found that the 2 GCs were missing their flywheels, and all of the cameras desperately needed to be serviced after sitting unused for so long. These cameras were previously used to shoot time lapse sequences, and it was common to remove
Mitchell GC sn. 903 Read More »
New arrivals! After many twists and turns with Fedex, we finally took delivery of equipment from the collection of Gunnar Blanke, a filmmaker from the Denver, CO area. Lots of neat stuff in this collection, including a Mitchell NC that was purchased by Lookout Mountain in 1959, two Mitchell GCs, an Akeley Gyro Head, a
An Estate Purchase Out of Colorado Read More »
It’s alive! The FC friction head restoration is finally complete! Here, you can see the friction head supporting Mitchell FC camera sn.8. Mitchell friction heads have a surprising number of parts that all had to be reconditioned or remanufactured in order to make this unit complete again. The casting hides 10 steel friction plates, 14
The Mitchell FC Friction Head Is Complete! Read More »
Last week we showed you the 2-perf Arriflex II C, and thought this week it would be fun to show you the II B. Both of these cameras were skillfully converted to the 2-perf Techniscope format by my friend Daniil Nevskij. The Arri II B has all of the same features are the II C,
Arriflex II B Techniscope Camera Read More »
Just in are an Arriflex IIB and IIC Techniscope camera. Shown here is the Arri IIC. For those who don’t know, Techniscope is a 2-Perf pull-down 35mm film format developed by Technicolor and introduced in the 1960s. This format is ideal for the budget-conscious filmmaker who wants to shoot widescreen without using anamorphic lenses. It
Arriflex II Techniscope Cameras Read More »
After much struggle, hammering, prying, wiggling, pushing, and pulling, I was finally able to completely disassemble this much abused unit. It is shown here in its current state, all the pieces cleaned for rust, petrified grease, and stripped of the old, crumbling paint. I still need to make a couple more parts before everything gets
An Update on the Mitchell FC Friction Head Read More »
