As there has been nothing simple about bringing Mitchell 46 back to life, it is only fitting that the process of getting the camera securely mounted to the milling machine, and true and parallel to the film plane, was a week-long endeavor. This process had to take into consideration machining the bottom surface of the […]
A Long Week’s Journey Back to Machining Mitchell 46 Read More »
I took some time this week to catch up on a number of smaller projects while I carefully considered what my next step will be on Mitchell #46. Beginning with Mitchell #46 though, I spent a great deal of time considering how to set the camera up so I can begin machining the replacement bottom
A Week of Many Projects Read More »
With my work on the Dykstraflex camera complete, I have returned my attention to Mitchell 46. I dusted off the setup on the mill, re-indicated all the surfaces that needed to be true, and began to make a tool path map. I had transferred the actual position of the camera movement to the aluminum plate
Mitchell 46 Get a New Front Read More »
This past week I had the privilege of doing preventative maintenance on the Dykstraflex camera for the Academy of Motion Picture Arts and Sciences. I serve on the Academy’s Technology and History Subcommittee, and following the restoration of the Dykstraflex camera crane, subcommittee members were concerned that the camera may have developed problems after having
Dykstraflex Camera, Revisited Read More »
It’s a little late for Star Wars Day, but we wanted to share this latest project in anticipation of the premiere of “Obi-Wan Kenobi” tomorrow. Previously, in 2019, I completed a major restoration of the Dykstraflex camera crane for the Academy of Motion Picture Arts and Sciences. The restored Dykstraflex was prominently displayed at the
Dykstraflex: Preparing to Service the Camera that Shot the original Star Wars Trilogy Read More »
Despite my good intentions, replacing the roof on our building interfered tremendously with progress on Mitchell 46 this week. My next step in restoring this camera was to prepare the casting so it can be accurately mounted on the milling machine. There are very few things on the casting that remain true, so the only
The First Step in Setting Mitchell 46 Up for Machining Read More »
A Pana ARRI 35 II C joins our offerings! While we were in the middle of moving from our previous location to our present one, we were offered a collection of cameras and accessories that we never had much of a chance to sort through. This diamond in the rough came to the surface a
A Pana ARRI 35 II C! Read More »
In order to move forward with the machine work on the replacement bottom plate for Mitchell 46, the front plate had to be installed so that three important things could be established: First, the proper thickness of the front plate so that the camera will slide freely on the rackover L-base and still light trap.
Mitchel 46: The Glue Crisis Read More »
After the puzzling and disappointing failure of the Loctite adhesive last week (Loctite has never failed me before!) I went through a process of cleaning and degreasing the camera casting and the replacement bottom plate. I spoke to an adhesive expert, and he recommended 3M’s Scotch Weld 2216 2-part epoxy. The process required 4 arms
Is This Glue Really Going to Work? Read More »
Now that the Showscan cameras and equipment have found a new home, we found ourselves with a lot of much-needed, free space. So the reorganizing began once again! We cleared out a whole section of the warehouse space and acquired new shelving so we could better organize everything. There were sooooo many Mitchell 1000’ magazines
Reorganizing, Again . . . Read More »
