A few weeks back I showed two of the several Arriflex 16 ST cameras currently in stock that I have restored. The only problem with this is that I don’t have any of the stock ARRI power cables that are proprietary to this camera. I called all the usual suspects, and they all said the […]
Recreating the Illusive ARRI 16 ST Power Cable Read More »
I have a bunch of 16mm cameras that came into my inventory along with other things and have been lounging, neglected, for quite some time. As 16mm is having a little bit of a resurgence, it seemed reasonable to try to find homes for these beginner friendly cameras. The star of this week’s labors are
Resurrecting a Bunch of 16mm Cameras: ARRI, Bolex, Krasnogorsk Read More »
Late last year, I acquired a hoard of 16mm cameras, and this ARRI SR was a part of that group. At the time, I sold the camera, unrestored, to a friend. Now it has come back to me as part of a trade, having been fully serviced, the belts replaced, and the rear footage indicator
ARRI SR: Back and Better Than Ever! Read More »
A fellow collector and camera aficionado, John Kwinn, kindly sent me this immaculate Cine-Kodak Special II 16mm camera (ca. 1948) with its original case, a 200’ magazine, and an amazing collection of original lenses and accessories. John asked if I could find a filmmaker or collector who would adopt this camera package and take as
Cine Kodak Special with Original Cine Kodak Tripod Read More »
The Arriflex 16M “Magazine” camera was introduced in 1962 as a successor to the venerable ARRI 16 S. Like its predecessor the ARRI S, the ARRI M is a spinning mirror reflex 16mm motion picture camera with a bright viewfinder, a 3-lens divergent turret to work with a variety of lenses, and a small, compact
I thought the work on the 400’ magazines for the VistaVision Butterfly camera was going to be routine, but lengthy. The weather though decided to interfere with my plans this week by giving us some rare LA rain. Wrinkle paint does NOT like moist air, and while painting magazine number 3 started off well, it
An Interlude with an Amazing Maurer Camera Read More »
I love 16mm cameras. I learned how to be a cinematographer with Bolex, Arriflex, and Beaulieu 16mm cameras, but my current business isn’t focused on this format. While I have not done a full service and restoration of either of these cameras, I have scrubbed and cleaned the outside of them, made sure everything was
An ARRI 16SR and 16M Read More »
Winding down our look at the table full of 16mm cameras this week, I wanted to highlight a few more items that I thought were cool. The Arriflex 16 SR turns out to be a working camera under all of that dirt. A quick cleaning and careful examination made me comfortable enough to power the
A Last Look at the 16mm Camera Hoard Read More »
We promised in our last post that I would give a closer look at the 16mm camera collection I showed off last week. I had very limited time to look through them this week, so I was only able to evaluate a few of the pieces. Arriflex M To begin, I looked at the ARRI
A Closer Look at Some of the 16mm Camera Haul Read More »
At a certain point, everyone has to say, “I just can’t take on anymore stuff”. But this group of cameras was literally going to end up in the landfill, so it came here with the hope of having a new life. I don’t usually take in 16mm equipment, but this garage load of equipment belonged
A Last Haul for the Year Read More »
