A few weeks back I showed two of the several Arriflex 16 ST cameras currently in stock that I have restored. The only problem with this is that I don’t have any of the stock ARRI power cables that are proprietary to this camera. I called all the usual suspects, and they all said the […]
Recreating the Illusive ARRI 16 ST Power Cable Read More »
I have a bunch of 16mm cameras that came into my inventory along with other things and have been lounging, neglected, for quite some time. As 16mm is having a little bit of a resurgence, it seemed reasonable to try to find homes for these beginner friendly cameras. The star of this week’s labors are
Resurrecting a Bunch of 16mm Cameras: ARRI, Bolex, Krasnogorsk Read More »
Late last year, I acquired a hoard of 16mm cameras, and this ARRI SR was a part of that group. At the time, I sold the camera, unrestored, to a friend. Now it has come back to me as part of a trade, having been fully serviced, the belts replaced, and the rear footage indicator
ARRI SR: Back and Better Than Ever! Read More »
Alongside time spent with the Dykstraflex team evaluating the condition of the crane after its move out of the museum, I devoted some time this week to servicing and repairing as many of the ARRI 2B and 2C cameras I have in stock as I had time for. Among this group of 5, two cameras
Catching Up On Some ARRI 35 2B and 2C Camera Read More »
I have been holding onto this Arriflex 35 BL 4S camera until I could really dig into the inner workings and make sure everything is in good working order. This is one of the two BL 4S cameras I used to shoot features for Lucky Brown at his MovieTech Studios. When I purchased the remaining
Arriflex 35 BL 4S – Back in Action Read More »
I am taking a couple of days off this week, but before I do, I wanted to go through the accessories that come with the ARRI BL 4S camera I began repairing last week. The first thing I looked at was the follow focus unit, which would not … follow focus? What I discovered was
Repairing the ARRI BL 4S Follow Focus Read More »
As I suspected, and you can see clearly in the attached pictures, the camera and shutter drive belts on this ARRI BL 4S had shredded and desperately needed to be replaced. Replacing the belts in these BL cameras is a monumentally difficult task. The BL 4S is one of my very favorite cameras, but it
ARRI BL 4S – Finally on the Bench Read More »
I am glad that so many of you feel as warm and fuzzy toward the Arri 35 BL series of cameras as I do. As I dug deeper into the many, many cases that came from Lucky Brown’s collection, I discovered that the BL2 also has the extension viewfinder, three Cooke Speed Panchro lenses, lens
I am a big fan of the ARRI 35 BL series of cameras. The movies I shot for Lucky Brown I shot with an ARRI 35 BL 4S as the first unit camera. At the time, it was very affordable, and it had all of the features I was looking for. When I took in
Arriflex 35 BL 2 Camera Package Read More »
The Arriflex 16M “Magazine” camera was introduced in 1962 as a successor to the venerable ARRI 16 S. Like its predecessor the ARRI S, the ARRI M is a spinning mirror reflex 16mm motion picture camera with a bright viewfinder, a 3-lens divergent turret to work with a variety of lenses, and a small, compact
