CinemaGear

Here at CinemaGear we are dedicated to preserving the equipment that first brought moving images to life and continues to inspire and delight us to this day. It is our goal to bring classic motion picture cameras back to life so their history and tecnhological innovations are not lost. Our mission is to save and restore motion picture film cameras dating from their earliest days to the most refined film cameras of the 21st century.

Mitchell 46 successfully fitted onto the disassembled rackover L-base.

Dove-tales of Woe

Somehow we find ourselves in July already (not sure how that happened!), so we decided to take a couple of days off for the 4th of July holiday and relax. Now though, we are back to work on Mitchell 46, along with the dozen other projects we have going at the same time. Much to

Dove-tales of Woe Read More »

The Dykstraflex camera in the Vista Vision shooting position with Nikon lens mounted

Dykstraflex Camera, Revisited

This past week I had the privilege of doing preventative maintenance on the Dykstraflex camera for the Academy of Motion Picture Arts and Sciences. I serve on the Academy’s Technology and History Subcommittee, and following the restoration of the Dykstraflex camera crane, subcommittee members were concerned that the camera may have developed problems after having

Dykstraflex Camera, Revisited Read More »

Dykstraflex camera

Dykstraflex: Preparing to Service the Camera that Shot the original Star Wars Trilogy

It’s a little late for Star Wars Day, but we wanted to share this latest project in anticipation of the premiere of “Obi-Wan Kenobi” tomorrow. Previously, in 2019, I completed a major restoration of the Dykstraflex camera crane for the Academy of Motion Picture Arts and Sciences. The restored Dykstraflex was prominently displayed at the

Dykstraflex: Preparing to Service the Camera that Shot the original Star Wars Trilogy Read More »