My dear friend Peter Anderson raised an interesting question about the drop-in sidefinder mattes, so I went back and looked at them more carefully. This camera has 2 sets, one marked TV and one unmarked, but probably for feature films. These are transparent acetate slides that have precision cutouts to match the field of view […]
Fox Cine Simplex Sidefinder Mattes Read More »
One of the most unique and sought-after sound era production cameras is the Twentieth Century-Fox Cine-Simplex camera. Camera number 109 was a key part of John Hora’s camera collection and will be my next major restoration project. Some of the key features that made the Cine-Simplex stand out were the design of the film transport,
Twentieth Century Fox Cine Simplex Camera Read More »
As a quick follow-up to our post about John Hora’s Mitchell MK III: the camera has found a new home with my dear friend Mark Mervis who has spent countless frustrating hours cleaning rotted and broken belts out of its inner workings. Mark has managed to identify the correct parts from the shards and goo
Mitchell Mark III Repaired Read More »
Continuing with the Worrall restoration and clean up, this week I focused on the tilt drive assembly. After much mining of old grease, case dirt, and oxidized aluminum, I was able to actually get my hands on the gears, drive shafts, brake assembly, and backlash adjustment sections. Special attention was paid to chiseling out the
Continuing Restoration of the Worrall Geared Head Read More »
The Worrall Geared Head was one of the premiere pan and tilt tools around the world for decades due to its silent, smooth, and accurate operation, and its ability to support extremely heavy cameras like the Mitchell BNC. When this unit arrived, it had a hitch in the tilt axis and a very large bump
Restoring Worrall Geared Head sn. 192 Read More »
A couple of days ago, Worrall Geared Head #192 limped its way into the shop. This geared head came in with the BNCR #136 that we showed in our last post, and believe it or not, it was in worse condition than the camera. I spent time this week evaluating and disassembling this geared head
Worrall Geared Head sn. 192 Read More »
All of the work on Worrall Geared Head #192 has been completed! I was able to make the pan and tilt axes run smoothly despite some of the lumps in the tilt axis tracks. Much polishing and cleaning smoothed out the big lumps to a very acceptable level. The pan axis was smooth once all
Restoration of the Worrall is Complete! Read More »
We have just received this wonderful, but in need of much love, Mitchell spinning mirror reflex BNCR, serial #136. So far, we are unable to decipher who the original owner was, but we know that it was first purchased in 1954. Unfortunately, this camera was stored poorly and suffers from petrified grease, minor corrosion and
Mitchell BNCR sn. 136 Read More »
As I go through inventory, bringing things back to life one by one, I rediscovered this amazing Arriflex II C that is part of the Denny Clairmont legacy. This camera is out of Denny’s first foray into cinema equipment rentals, and shows Denny’s dedication to improving everything he made available to his clients. As I
Arriflex 35 2C from Clairmont Camera Read More »
An interesting camera came through my shop for evaluation this week. This is a Fries Engineering Ultra 70 (3 X 65) camera that shoots IMAX 15-perf pull-across 65mm film. I am evaluating what work needs to be done to get it up and running again, but currently it isn’t pulling film. Fascinatingly large and heavy,
Fries Engineering Ultra 70 Read More »
