Every once in a while, some of the most unique things come across my desk. A few weeks ago, a friend of mine in Australia sent me pictures of Mitchell Standard #27 which he has been lovingly restoring. If this wasn’t unique enough, he also had something I had never seen outside of publicity photos: […]
Mitchell Standard no. 27 and Amazing Original MGM Bungalow Blimp Read More »
One of the more surprising and interesting relics we found in the Lucky Brown MovieTech collection was this outwardly nondescript wooden case. We were first intrigued by the MGM decals on the top and front of the case, how heavy it was, and by the name Ray June inscribed on the lid. Inside this custom
Ray June’s Filter Cabinet of Curiosities Read More »
As a prelude to some work I will be doing in the next week or so evaluating the Mitchell 205, I was hoping to begin this week by taking a deep dive into some history of this camera. However, after many hours of searching, we are no more informed about the history of the 205
Mitchell 205 35mm Silent Studio Camera Read More »
A friend of mine pointed me toward an estate sale of a former USC professor last week and I found a couple of interesting relics that begged me to bring them home. This home in Westwood, CA had the most amazing and eclectic collection of just about anything you could think of, from a player
Estate Sale Finds! Read More »
I have shown you my recent work repairing the Fries Ultra 70 3×65 IMAX format camera. The owner of this camera doesn’t have lenses that were made specifically for it, but it occurred to me that the lenses that were built for the CP65 Showscan cameras “might” work in this situation. This week I experimented
A Lens Mount Experiment Read More »
The heart of all motion picture film cameras, like Mitchell Standard 46, is the movement (or film transport). When I hand-cranked this camera for the first time, I noticed a bump or hard spot as I was cranking the camera. As I reinstalled the shutter assembly, I made sure that it was free-wheeling and turned
Servicing the Movement in Mitchell 46 Read More »
To go along with our ongoing restoration of Mitchell Standard #46, we are currently in the process of researching the history of the camera’s first owner, the Christie Film Company. Brothers Al and Charles Christie founded the Christie Film Company in Hollywood in 1916 and produced short and feature-length comedies through 1933. The Great Depression
Some Help with a History of the Christie Film Co. Read More »
As with all of the wonderful things we offer, we try to include as much of their history as we can discover. We have run into a roadblock on researching the history of the Kinoptik lenses we recently added to our website. We have found very little information about the company itself, its founders, and
Searching for a History of Kinoptik Read More »
As an update to BNCR #224’s restoration, here is where it currently stands: I was able to get the camera itself back into working order and reinstalled in the blimp. Since nothing here gets thrown away, I pulled parts from old stock and pieced together a front lens housing and matte box. The lens housing
An Update About BNCR sn. 224 Read More »
The Fox Film Corporation made just 4 feature films in the Grandeur process. Raoul Walsh’s “The Big Trail” was the final film, and the only one to use the Grandeur format to its full potential. Arthur Edeson’s masterful cinematography took full advantage of the 70mm film format to fill the frame with grand vistas and
Raoul Walsh’s “The Big Trail” Read More »
