We wanted to take a moment to bid a fond farewell to the Fox Grandeur camera, Mitchell FC #8, which has found a perfect new home at the John Wayne Birthplace Museum in Winerset, Iowa. There are a few camera projects that I have loved working on and hate to see leave, but it’s more […]
A Fond Farewell to Mitchell FC #8 Read More »
I am out of town for a couple of days this week at my daughter’s wedding, but I didn’t want to leave you all without a post. While I am away, I thought we might revisit the fascinating Mitchell FC 70mm Fox Grandeur camera. We recently passed the 94th anniversary of the release of the
Out of Town … And A Visit with the Mitchell FC Read More »
Last week’s experiments with Showscan lenses got me thinking about the Showscan equipment I have left around the shop. Among these leftover pieces is this CP 65 camera body that lacks most of its electronics and its movement. The camera casting is serial no. 101, and as I looked it over, I thought it would
Revisiting CP 65 Showscan Camera sn. 101 Read More »
I have shown you my recent work repairing the Fries Ultra 70 3×65 IMAX format camera. The owner of this camera doesn’t have lenses that were made specifically for it, but it occurred to me that the lenses that were built for the CP65 Showscan cameras “might” work in this situation. This week I experimented
A Lens Mount Experiment Read More »
And so we come to the end of my project repairing the Fries Engineering Ultra 70 3×65 IMAX-format camera. This project was quite challenging. Coming up with retrofit parts that would preserve the function and integrity of the movement, but still be serviceable in the future, required a lot of careful thought and planning. Because
Fries Ultra 70 3×65 Camera – Back in Action! Read More »
Last week’s adventures ended in the machining of a successful replacement hub blank for the Fries Ultra 70 IMAX format camera. This week, I machined the required features onto the hub blank so the flywheel could be permanently mounted to the movement and timed correctly to the shutter drive. The process was straightforward, if a
Fries Engineering Ultra 70 – Hub Battle, Part Deux Read More »
This week I continued work on the Fries Ultra 70 IMAX format camera. It was mainly a week of head scratching, doodles, starting over, and eventually creating successful parts. As I mentioned last week, my plan is to machine a new flywheel hub that will attach to the movement using the remaining threads on the
Fries Engineering Ultra 70 – Honing in on a New Hub Read More »
The Fox Film Corporation made just 4 feature films in the Grandeur process. Raoul Walsh’s “The Big Trail” was the final film, and the only one to use the Grandeur format to its full potential. Arthur Edeson’s masterful cinematography took full advantage of the 70mm film format to fill the frame with grand vistas and
Raoul Walsh’s “The Big Trail” Read More »
The motion picture industry was in a period of transition in the late 1920s. Sound films were set to remake the previously silent industry, changing everything about how movies were made and exhibited. As the popularity of movies rose, bigger theaters were built to accommodate the ever increasing audiences. The Roxy Theater in New York,
Mitchell FC 70mm Grandeur camera, sn. 8 Read More »
As the sound era became a reality, William Fox recognized the need for better quality images in his movies. His Fox Case Corp. team, led by engineer Earl Sponable, developed the 70mm Grandeur photographic process to solve this problem. The Mitchell Camera Corporation was contracted to build a 70mm version of their successful Mitchell Standard,
Mitchell FC Fox Grandeur Camera sn. 8 Read More »
