Alongside time spent with the Dykstraflex team evaluating the condition of the crane after its move out of the museum, I devoted some time this week to servicing and repairing as many of the ARRI 2B and 2C cameras I have in stock as I had time for. Among this group of 5, two cameras […]
Catching Up On Some ARRI 35 2B and 2C Camera Read More »
Continuing on from my work last week replacing the belts in the ARRI 35 BL 4S, this week I set out to repair the broken video tap. The damage was likely caused by someone mistakenly picking up the ARRI camera by the video tap. I have seen this on a number of other cameras from
Finishing Repairs on the Arri 35 BL 4S Read More »
Last month I received two Arri 2B cameras that were converted to 2-perf pull-down Techniscope by my friend Daniil Nevskiy. Sadly, the shutter in one of the cameras was damaged in shipping and needed to be replaced. I was able to source a shutter that was in fair condition as a replacement, so I thought
Arri 2B Shutter Replacement Read More »
New this week: a pair of freshly converted Arriflex 2B 2-perf Techniscope cameras with PL mounts. As I was finishing up work on Mitchell Standard #125 and servicing several sets of lenses, my friend Daniil Nevskiy sent back two of my Arri 2Bs that he converted for 2-perf pull-down and PL lens mounts. I haven’t
I took some time this week to catch up on a number of smaller projects while I carefully considered what my next step will be on Mitchell #46. Beginning with Mitchell #46 though, I spent a great deal of time considering how to set the camera up so I can begin machining the replacement bottom
A Week of Many Projects Read More »
A Pana ARRI 35 II C joins our offerings! While we were in the middle of moving from our previous location to our present one, we were offered a collection of cameras and accessories that we never had much of a chance to sort through. This diamond in the rough came to the surface a
A Pana ARRI 35 II C! Read More »
As I go through inventory, bringing things back to life one by one, I rediscovered this amazing Arriflex II C that is part of the Denny Clairmont legacy. This camera is out of Denny’s first foray into cinema equipment rentals, and shows Denny’s dedication to improving everything he made available to his clients. As I
Arriflex 35 2C from Clairmont Camera Read More »
Last week we showed you the 2-perf Arriflex II C, and thought this week it would be fun to show you the II B. Both of these cameras were skillfully converted to the 2-perf Techniscope format by my friend Daniil Nevskij. The Arri II B has all of the same features are the II C,
Arriflex II B Techniscope Camera Read More »
Just in are an Arriflex IIB and IIC Techniscope camera. Shown here is the Arri IIC. For those who don’t know, Techniscope is a 2-Perf pull-down 35mm film format developed by Technicolor and introduced in the 1960s. This format is ideal for the budget-conscious filmmaker who wants to shoot widescreen without using anamorphic lenses. It
Arriflex II Techniscope Cameras Read More »
Introduced in 1937, the Arriflex 35 was a unique 35mm handheld motion picture camera that featured a revolutionary mirrored shutter and a parallax-free, erect image viewfinder. The Arri 35 is World War II vintage camera that was used originally by the German military during the war. Some early examples of this camera were captured by
Original Arriflex 35 Read More »
