The other day I was reminiscing with a new client about early motion control cinematography and I happened to mention one of the various versions of video taps that I built long ago. That spurred me to dig this out of storage for a nostalgic look. The concept behind this video tap was not to […]
A Look Back: Drop-In Video Tap for Mitchell Standard or GC Read More »
Catching up after Thanksgiving, and needing a breather from the other projects I have been working on, I came back to this mystery camera this week that has been part of my collection for a number of years. It identifies itself as a Pacific Laboratories V-10 camera and has a U.S. Government Property tag on
Pacific Laboratories V-10 Mystery Recorder Camera Read More »
A few days ago, a new client called and asked if I had any ARRI Medical cameras in stock. As it happened, I had one left. During the course of our conversation, the client mentioned that he had seen a YouTube video in which someone had converted a medical ARRI into a film scanner. He
A New Life for an Old Workhorse Read More »
Last month I received two Arri 2B cameras that were converted to 2-perf pull-down Techniscope by my friend Daniil Nevskiy. Sadly, the shutter in one of the cameras was damaged in shipping and needed to be replaced. I was able to source a shutter that was in fair condition as a replacement, so I thought
Arri 2B Shutter Replacement Read More »
On Mitchell Standards and some early GCs, you could order an option that had a series of gear boxes that would do automatic fade-in/fade-out over a selected number of frames. Mitchell 46 at one time had this option, but the kind folks who tried to reflex it ripped out most of it and disposed of
Time for a little more work on Mitchell 46 Read More »
I was talking to a cinematographer friend of mine who reminded me that, quite a number of years ago, I modified his RED Prime 18mm lens so it would work on his PL mounted MovieCam without crashing into the mirror. It seemed fitting to pass on what I did and do the same modification on
Correcting the 18mm RED Prime PL Mount Read More »
New arrivals: From the Rocco Gioffre collection is a small cache of wonderful items, including some fascinating ancient Cinema Engineering relics I built long ago. In the back row you see a single frame animation motor with a motion control interface box, an RCA friction head with pan handle, some Baltar lenses, some Cooke Speed
New: From the Collection of Rocco Gioffre Read More »
New this week: a pair of freshly converted Arriflex 2B 2-perf Techniscope cameras with PL mounts. As I was finishing up work on Mitchell Standard #125 and servicing several sets of lenses, my friend Daniil Nevskiy sent back two of my Arri 2Bs that he converted for 2-perf pull-down and PL lens mounts. I haven’t
Recently, I was contacted by my friend and fellow vintage camera enthusiast Michael Geiger, who had recently acquired Mitchell Standard #125. This camera, like Mitchell 46, had been abused in its previous life. Mitchell 125 was hacked into an animation camera, and whoever did the conversion, removed and discarded most of the original shutter control
A Face-lift for Mitchell Standard 125 Read More »
This past week I was lucky enough to meet one of the founders of the group that developed the Red Pro and UniqOptics prime lenses. One of the things that came out of the meeting was this mixed set of lenses consisting of five Red Pro Prime lenses and one UniqOptics lens. The story of
RED Pro and UniqOptics Prime Lenses Read More »
